The current investigation involving Burning Sun, Seungri, Jung Joon-young and their associates are one side of a coin. On the other side being Jang Ja-yeon’s life, death, and legacy.
Police have been having a busy 2019. For the past few weeks, the Seoul Metropolitan Police Agency has taken on multiple cases revolving around former BIGBANG member Lee Seung-hyun, popularly known as Seungri, and singer and TV celebrity Jung Joon-young that involves sex trafficking, creating and sharing illegal sexual footage, using and distributing drugs, rape, and collusion with corrupt police.
As the investigation of the two moves forward, several other K-pop idols including Highlight’s Yong Jun-hyung and F.T. Island’s Choi Jong-hoon become implicated in these allegations, their cases have started to expose the seedy underbelly of the K-pop world.
Past reports exposing unfair “slave” contracts, abusive and intense rehearsal and training sessions, and agencies’ tendency to overwork their talent for profit have painted the mechanisms fueling the K-pop machine in a negative light. However, adding in the factor that the stars themselves can be equally unethical adds another profound layer of grime to the picture. It illustrates that the issues exposed in these investigations and the actions that these stars engaged in are a result of larger societal factors.
These factors include but are not limited what Crystal Tai, a writer for South China Morning Post argues is “South Korea’s culture of toxic masculinity” and what Haeryun Kang, a freelance journalist and editor, says it is the “pervasive power inequality between men and women in countless, unseen sectors of Korean society.”
Indeed it is clear that Lee, Jung, and other men who were empowered in their masculinity, fame, and wealth, took advantage of several women wrongfully and illegally for their benefit, entertainment, and pleasure. While Lee and Jung’s victims have not publically identified themselves out of fear, they do have a voice in the form of the late Jang Ja-yeon and her advocate Yoon Ji-oh.
Like these unknown women, the talented, pretty, and well-liked Jang Ja-yeon was victimized by men in positions of considerable power including show producers, journalists, media and entertainment executives at the behest of her agent Kim Sung-hoon who pimped her out for preferential treatment.
Jang revealed this information in a seven-page letter with a list of 31 names she left behind after taking her life just five months after her debut movie role as Sunny in 2009’s film Boys Over Flowers. Notably, while her case was hastily closed in trials following her death, it was reopened in the midst of the 2018 #MeToo movement after prosecutors discovered ack of conduct on behalf of the investigators at the time.
Currently, her case is ongoing with details unfolding alongside Lee Seung-hyun’s and Jung Joon-young’s, acting as a ying to their yang. The interesting juxtaposition of these investigations plays like two sides of the same coin.
On one side are the salacious details of powerful men uninterested in the rule of law as they drugged, raped, filmed, and trafficked women for their own means. On the other, is the heartbreaking tale of a woman who was on the receiving end of their dehumanization and is an example of the real-life consequence to their actions.
Unfortunately, I may have painted Jang as too much of victim. Jang’s side of the coin shouldn’t be viewed as a sad and powerless story, but also as a woman who sought change. Her friend and advocate Yoon Ji-oh who witnessed some of the abuse Jang endured said that she doesn’t believe (link in Korean) that the seven-page letter Jang wrote was a suicide note. Instead, Jang intended those pages of papers were to act as legal documents to enact justice.
But how that coin will land? Will it heads where justice is served a movement to rejects the actions of these men and to expose and punish those like them? Or will it be tails, where only the surface is cleaned but the scum beneath remains?
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